Three hundred of Charlotte Salomon’s beautiful expressionist paintings illustrating a young German Jewish women’s self-discovery can be seen at San Francisco’s Contemporary Jewish Museum until July 31. The same week that the San Francisco exhibit opened, an enormous comic book convention nearby attracted thousands of young readers searching for their latest superhero (Green Lantern this year) and his predecessors. I would like to report that all the comic book readers paraded a few blocks across town to pay homage to Salomon’s landmark project, “Life? or Theatre?,” after hearing that her gouaches painted in 1942 anticipated contemporary graphic novels and the films based on them.
Regrettably few of the comic book acolytes left their convention center, as far as I know; but Salomon already has quite a following, thanks to prior exhibits of her masterwork in other cities. First brought to public attention in 1971 by the Jewish Historical Museum of Amsterdam, the series of 1,300 paintings was celebrated over a decade ago at New York’s Jewish Museum, as well as at Boston and Toronto exhibitions. (Amsterdam’s Joods Historisch Museum, repository of the collection, organized the selections in the current West Coast premiere.) By now Salomon’s work also has been well documented in scholarly books, and inspired a fine play by Elise Thoron and a volume of poems by Anne Barrows.
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