On December 3, 1956, “Night of the Auk” landed on Broadway. An audacious work by Arch Oboler, the play was set aboard the first manned spaceship to return from the moon and was written in blank verse. The talent behind the production was stunning. Sidney Lumet directed, Kermit Bloomgarten (“The Diary of Anne Frank”) produced, and the play starred Christopher Plummer, Claude Rains and Dick York.
Oddly, “Night of the Auk” was not the only science-fiction play on Broadway that year; the late Gore Vidal’s sci-fi comedy “Visit to a Small Planet” ran concurrently. But unlike the smash-hit “Planet,” “Auk” did not fly. After Dick York turned down Vidal’s play for Oboler’s an irate Vidal told York “you got on the wrong spaceship, you prick.”
Now, “Night of the Auk” is being revived at the New York Fringe Festival with five performances starting August 10. This new, abbreviated production —shortened from three hours to 75 minutes — marks the first major production of the play in nearly 50 years.
The plot of “Auk” is pretty grim. The first man to walk on the moon is left behind, the expedition’s leader is unhinged, and the ship’s scientist is convinced that mankind is heading for extinction. And that’s just the beginning.
The new production of “Auk” is adapted by Michael Ross Albert, who also stars as Lewis Rohnen, the expedition’s leader, and is directed by Adam Levi. The Arty Semite spoke with Albert and Levi about why they decided to revive such an unlikely play.
Matthew Rovner: “Night of the Auk” was originally written, produced and directed by Jews, and now it’s been adapted and directed by Jews. Did you find any Jewish content in the play?