On the back flap of his new book, Victor Navasky is portrayed in a kinetic caricature by the illustrious Edward Sorel. It’s one clue about Navasky’s deep connection to political cartoons explored in “The Art of Controversy,” a personal history as well as learned survey of the form.
The former editor and publisher of The Nation, Navasky first published political cartoons as editor of Monocle, a “radical sporadical” satirical journal he founded in the late 1950s. More recently, he engaged with the infamous “Muhammad” cartoons that sparked rioting across the Muslim world, choosing not to run them in this very book, a decision he explains at length. With lucid, funny takes on artists from William Hogarth to Ralph Steadman to Doug Marlette — and an entire chapter on Der Sturmer, the Nazi propaganda magazine whose vicious cartoons demonized Jews — Navasky brings the art form’s power to life. The Arty Semite spoke to him from Manhattan.
Michael Kaminer: What is it about cartoons that spark such emotional reactions?