The Schmooze

Why ‘Supermensch’ Shep Gordon Likes To Be a Plus-1

It took Mike Myers 10 years of begging for Shep Gordon to agree to a documentary about his life. The film, “Supermensch: The Legend of Shep Gordon,” is Myers’s first go at directing, and he made a masterpiece.

Gordon was the one who masterminded Alice Cooper’s image with stunts like throwing a live chicken on stage, putting underwear on the album “School’s Out,” and plastering a picture of Cooper naked — save for a snake covering his manhood — on the side of a truck whose driver was paid to “break down” during rush hour in London.

Gordon also invented the concept of the celebrity chef, managed Teddy Pendergrass, Luther Vandross and Raquel Welch, and handled Groucho Marx during his senior years, pro bono.

But all of these accomplishments don’t describe the sweet essence of the man — the mensch — that Myers captures in his movie.

Gordon came to the rescue of a grandmother who had no idea how she’d be able to raise her suddenly deceased daughter’s four children. Gordon said, “It seemed like something had to be done, and I had the resources.” He supported them and they became his makeshift family.

Dorri Olds caught up with Shep Gordon to talk about Jewish spirituality, living at the same hotel as Janis Joplin, why he always likes to be a plus-one.

Dorri Olds: You have led such an eclectic life.

Recommend this article

Why ‘Supermensch’ Shep Gordon Likes To Be a Plus-1

Thank you!

This article has been sent!

Close
Close