Schuyler Velasco
By Schuyler Velasco
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The Schmooze Friday Film: Too Much Shop Talk
The craft of acting, like writing, is a very difficult thing to talk about without sounding like a dallying idiot. Perversely, it’s also one of the hardest topics to stop talking about once you’ve started, since it’s rife with irresolvable quandaries about “intent,” “truth,” and the nature of Little Red Riding Hood’s relationship with her…
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The Schmooze Friday Film: For Battered Women, Justice Is a Long Time Coming
There are upwards of 180,000 women incarcerated in U.S prisons today. Of those, an estimated 80% are victims of rape, assault, incest, and other forms of sexual and domestic violence. Considering what a closeted problem this sort of abuse is in many communities, it wouldn’t be shocking if the true percentage were actually higher. Responding…
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The Schmooze A Depression-Era Allegory Comes in From the Cold
Occasionally, the legend surrounding a work of art takes on a life of its own: I can’t hear Stravinsky’s “The Rite of Spring,” for instance, without imagining the riot that it caused at its Paris premiere (a scene that’s all the more scandalous given the oppressively tomb-like atmosphere of most classical music concerts, which makes…
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The Schmooze A Playwright Haunted by the ‘Children of the Disappeared’
Emerging playwright Graciela Berger Wegsman found her journalistic background an unexpected and helpful tool in writing her play, “Memory is a Culinary Affair,” which wrapped up its three-performance run at Manhattan Repertory Theatre’s SummerFest on August 21. “It really helped with the research aspect of it,” said Wegsman, who contributed to the New York Daily…
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The Schmooze I.L. Peretz Comes to the Fringe Festival
In attending “A Gilgl Fun A Nigun” (“The Metamorphosis of a Melody”), which opened its five-performance run at the New York International Fringe Festival on August 14, I was charged with answering a single massive question: Can Yiddish theater appeal to a mainstream audience? As a lifelong theater lover and gentile, I had never been…
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The Schmooze Inbal Abergil Goes to the Movies
Photographing movie stills, where the images are essentially held captive in a confined, measured space, might seem like predictable work. Not so for Inbal Abergil, whose absorbing new exhibit, “24 Frames Per Second,” opened at New York’s Miyako Yoshinaga Art Prospects in Chelsea on July 15. To capture the eleven 33-square-inch images that make up…
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