Skip To Content

Support the Forward

Funded by readers like you DonateSubscribe

What It Was Like To Be A Jewish Tourist In Iran In 1972

Entering Iran was like returning to civilization.

“It reminded me of driving on Wilshire Boulevard in Beverly Hills,” my aunt said. Big grassy medians, flawless pavement. “I knew we were out of Turkey the instant our van hit that beautiful Iranian road.”

After a few semesters at UC Davis, my Los Angeles-raised aunt made her way to London in 1972. She backpacked around Europe, stopping in Copenhagen, where after a whirlwind romance, she met another Los Angeles-raised Jew who married her and convinced her to drive the Hippie Trail, overland from Holland to Nepal, by way of VW bus.

The trip did not go smoothly.

In Bavaria, their van broke down for the first time. While waiting for help, my aunt and her husband wandered into a local pub. Two young German men peppered my aunt with sneering questions: “Where are you from?” America was not a satisfactory answer. “No, where are you really from? What are you?” One of the men grabbed my aunt’s breast and muttered something about Juden.

Turkey was worse. A vendor in the Istanbul open-air market hadn’t appreciated how my aunt ignored him; he grabbed her arm and said, “Hey, you, Jew lady!” then made a beak-like gesture at his nose. The crowd around them laughed uproariously. In the Turkish countryside, they passed through a small village. Their van was pelted with rocks and chased by a mob. In a separate incident, my aunt’s husband asked a local for directions. The local responded by spitting in his face. The roads were ugly and rough, nausea-inducing for anyone, but especially difficult for my aunt, who was six months pregnant.

In Khoramdareh, Iran, something went wrong, yet again, with the bus. Their battered vehicle puttered to stop. Almost immediately, they were surrounded by a group of curious children. A man emerged from a tea shop and offered them use of his restroom. Locals propped the hood open and peered inside, trying their best to help.

Iran must be the opposite of Turkey, my aunt thought.

Two brothers appeared. On summer break from university in California, they spoke excellent English and told my aunt and her husband to continue to Tehran, where it would be easier to repair the van. They offered their parents’ address. “Tell them we sent you,” they said. The van was given a temporary fix, enough to get them to Tehran, and they set off.

In the ritzy suburban neighborhood of Tehran Noh, my aunt and her husband found the address of the brothers’ parents: a huge estate, surrounded by high walls. They were greeted warmly by their hosts, a doctor and his wife, and invited to park their van in the garden.

The garden was well-manicured: lush green grass, roses. For my aunt, twenty-one years old, pregnant, and far from home, this Western-style garden of familiar flowers was a comforting sight.

Each morning, a servant girl brought breakfast to the guests on a gold tray: fresh milk crowned with cream, butter, jam, honey, eggs, bread. Pure luxury to weary travelers.

They stayed four days, my aunt’s husband heading into downtown Tehran every morning with the doctor to search for van parts. My aunt spent her time in the garden, reading. Sometimes, she stood outside the gate, watching the Tehran girls: Skirts, nylons, high heels.

One night, the hosts asked about their guests’ ethnic background.

“My wife and I are Jewish,” my aunt’s husband said. The doctor and his wife nodded and soon after, made their way to bed.

In the morning, on the gold tray, the servant girl presented them grass clippings, horse hair, and table scraps from the previous night’s dinner (leftover chicken on gnawed bone, congealed fat.)

My aunt and her husband left without saying goodbye.

They continued to Mashad, where the market stalls held scribes who wrote letters and filled out forms for the illiterate, businessmen doing computations on abacus, lamb kebabs roasting over fires.

As their van lurched over the border, onto the unpaved road of Afghanistan, my aunt looked over her shoulder for the last time at Iran, wishing for more of that beautiful Iranian road.





    Hybrid: Online and at the Marlene Meyerson JCC Manhattan

    Oct 2, 2022

    6:30 pm ET · 

    A Sukkah, IMKHA, created by artist Tobi Kahn, for the Marlene Meyerson JCC of Manhattan is an installation consisting of 13 interrelated sculpted painted wooden panels, constituting a single work of art. Join for a panel discussion with Rabbi Joanna Samuels, Chief Executive Director of the Marlene Meyerson JCC of Manhattan, Talya Zax, Innovation Editor of the Forward, and Tobi Kahn, Artist. Moderated by Mattie Kahn.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.