Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Thomas Adès Takes Manhattan

Fans of modern music may already know the accomplished young composer, pianist, and conductor Thomas Adès. Born in London in 1971 of Syrian Jewish ancestry, Adès’s highly theatrical, sometimes quite humorous imagination is uncommon among composers of his generation.

In rare interviews, Adès reveals the gravity and sobriety of a master of ironic double meanings. The title of his 2007 orchestral work “Tevot,” which is being released by EMI Classics on March 23, refers to the Hebrew word for “arks” but also “bars in a piece of music.” Adès told The Guardian that “Tevot” captures the concept of the “ship of the world,” adding: “Watching the orchestra play ‘Tevot’ feels a bit like watching people on a boat, as the music’s being thrown from one side of the orchestra and smashing into the other side, almost as if it’s going to capsize.”

Manhattan concertgoers should experience a similarly wild ride at three upcoming Adès performances at Carnegie Hall on March 19, 24 and 27. They will witness Adès’s highly dramatic pianism as heard on EMI Classics’ CDs of his own chamber music and Schubert’s, as well as his solo works. New Yorkers will also hear Adès conducting with his usual verve, familiar from an EMI Classics CD of his opera “The Tempest.”

The passionate, multi-media vivacity of Adès’s works may in part be associated with his civil partnership since 2006 with the Jerusalem-born filmmaker and graphic artist Tal Rosner, whose visual works are intimately linked with music, whether by Adès or others. Even before he met Rosner, however, Adès surely must have absorbed some of the acute literary awareness of his father Timothy Adès, a noted translator of, among others, the heroic French Resistance poets Jean Cassou and Robert Desnos, the latter a Surrealist poet who died in Theresienstadt.

Thomas Adès’s three Carnegie Hall dates should ideally whet the appetite for a major upcoming New York Philharmonic premiere scheduled for January 6, 7 and 8, 2011, in which the composer will collaborate with Rosner on “In Seven Days (Concerto for Piano with Moving Image).”

Watch an interview with Thomas Adès from 2009:

A message from our editor-in-chief Jodi Rudoren

We're building on 127 years of independent journalism to help you develop deeper connections to what it means to be Jewish today.

With so much at stake for the Jewish people right now — war, rising antisemitism, a high-stakes U.S. presidential election — American Jews depend on the Forward's perspective, integrity and courage.

—  Jodi Rudoren, Editor-in-Chief 

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.