A Piano to the Rescue
Crossposted from Haaretz
“I didn’t have a bad childhood, but I was pretty lonely. I spent a lot of time alone in my room, listening to music and dreaming my little dream of making music, and appearing in concerts.” This is how Tzvika Lorber, known as Tzvika Force on stage, describes his start as an artist.
Force, 24, was born into a religious family in Be’er Sheva. He re-worked his feelings as an outsider into his musical compositions. He resists flattering self-descriptions claiming he overcame adversity, and emphasizes that his childhood had no tragic dynamic, such as religious parents opposing the artistic inclinations of their secular boy.
His family supports him, Force emphasizes; they attend his concerts. Nonetheless, the alienation of a young teenager who had artistic yearnings unknown to other members of his family constitutes the creative foundation of his music today.
A message from our CEO & publisher Rachel Fishman Feddersen
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.
At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse..
Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.
— Rachel Fishman Feddersen, Publisher and CEO
