Bird Made of Wire
Crossposted from Haaretz
A cloud of having missed the mark hovers over “Forehead Mesh,” Aaron Adani’s exhibition at the Kibbutz Gallery in Tel Aviv. There are quite a number of beautiful of works in it and interesting treatment of wire mesh (chicken wire, a material often used in art courses ) but it seems as though the curator, or the artist, fell indiscriminately and deleteriously in love with the works.
It is hard to understand how some of the works in this exhibition ended up displayed in the gallery. I am referring mainly to “Veil,” which oversteps the boundary of kitsch and leaves it far behind, as well as to “Forehead Mesh.”
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.
Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.
At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.
Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.