Homage to Nachum Gutman

Graphic by Angelie Zaslavsky
Crossposted from Haaretz
The connection between Nachum Gutman (1898-1980) and graduate students at the Bezalel Academy of Arts and Design in Jerusalem is not arbitrary, say curators of the exhibition “What Does It Mean to Interpret a Tradition?”
“Gutman was one of the first students at Boris Schatz’s old Bezalel, and his oeuvre, especially that of the 1920s, has become a part of the canon of Israeli art,” say the curators — Monica Lavie, curator of the Gutman Museum in Tel Aviv, and David Ginton, a lecturer at Bezalel. “The participating students were free to choose.”
Although “land of Israel” painting definitely merits this approach, and although discussion of the canon and tradition is important, the question still arises as to why Bezalel students are taking a particular interest in Gutman all of a sudden.
Why I became the Forward’s Editor-in-Chief
You are surely a friend of the Forward if you’re reading this. And so it’s with excitement and awe — of all that the Forward is, was, and will be — that I introduce myself to you as the Forward’s newest editor-in-chief.
And what a time to step into the leadership of this storied Jewish institution! For 129 years, the Forward has shaped and told the American Jewish story. I’m stepping in at an intense time for Jews the world over. We urgently need the Forward’s courageous, unflinching journalism — not only as a source of reliable information, but to provide inspiration, healing and hope.
