Image by Yossi Tzavker

Crossposted from Haaretz

I admit that after 40-odd years of theater-going and formulating evaluations of what I have seen and publishing them (which obligates me to form an opinion and makes it hard to evade expressing it), I am not entirely certain what the role of the director is in a theatrical production. This question, which gives me some sleepless nights as a critic, arose with redoubled force after I watched the production of Harold Pinter’s “The Caretaker” directed by Yossi Pollak-Pasternak in Hall 3 of the Cameri Theater.

Image by Yossi Tzavker

Forwarding the News

Thoughtful, balanced reporting from the Forward and around the web, bringing you updated news and analysis each day.

Terms(Required)

I agree to the Forward's Terms of Service and Privacy Policy

Email(Required)

Pollak-Pasternak has spent most of his years on the stage as an actor. He has participated in great Nisism Aloni productions that have become nearly legendary (“Aunt Liza” and “The Gypsies of Jaffa” at Habima, “Napoleon, Alive or Dead” at the Bimot Theater). He has played Shakespearean roles (including Othello at Habima and King Lear at the Cameri). He was Yellow Spots in “Execution,” a special theatrical event of Hanoch Levin’s. He has played the leading role in acclaimed productions like “Bent” and “Strider” at the Haifa Municipal Theater or Isaac Babel’s “The Sunset” at Habima.

For his performance in “I’m Not Rappaport” at Beit Lessin he won the Theater Academy Prize for Best Actor. In the cinema, too, he has acted in an impressive series of roles that won him praise from reviewers and for several years now he has also been directing in the theater. Among other plays, he has directed “Othello” (the Moor was played by Juliano Mer and the production closed because Mer struck Desdemona in a non-theatrical way) and “Romeo and Juliet” at the Haifa Theater; “Orphans” and “Heroes” at Habima and now, as I have mentioned, “The Caretaker” at the Cameri.

Read more at Haaretz.com

The Forward is free to read, but it isn’t free to produce

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

This is a great time to support independent Jewish journalism you rely on. Make a gift today!

—  Rachel Fishman Feddersen, Publisher and CEO

Support our mission to tell the Jewish story fully and fairly.

$90 $180

$360

Other amount