Italian Renaissance, Tel Aviv Style

Graphic by Angelie Zaslavsky
Crossposted from Haaretz
Entering the Tel Aviv studio of artist Lenny Dinar Dothan one encounters hospitality amid charming disorder. Sawdust is scattered everywhere, among the saws, rulers, pencils and books. Propped up against the wall are some of her works, among them a painting in which she is seen nursing her little son against the backdrop of an arch. The classical composition immediately evokes associations with the Florentine school of the Italian Renaissance. Add to this the fact that Dothan works in the Florentin neighborhood of the city — and you have an apt name for her current exhibit — “Florentin,” at the Hahanut Gallery in south Tel Aviv. The tiny exhibition is her first solo one, but the list of Dothan’s activities to date is extraordinarily long and complex.
The same composition is repeated in Dinar Dothan’s video work, “Sleeping Madonna,” in which she is filmed nursing her son as she falls asleep. “I wanted to be a perfect mother,” she says, “but I’m not. I fell asleep. All those utopians,” she says, referring to the new generation of parents. “All of them are in couples therapy. I don’t buy those utopians.”
Why I became the Forward’s Editor-in-Chief
You are surely a friend of the Forward if you’re reading this. And so it’s with excitement and awe — of all that the Forward is, was, and will be — that I introduce myself to you as the Forward’s newest editor-in-chief.
And what a time to step into the leadership of this storied Jewish institution! For 129 years, the Forward has shaped and told the American Jewish story. I’m stepping in at an intense time for Jews the world over. We urgently need the Forward’s courageous, unflinching journalism — not only as a source of reliable information, but to provide inspiration, healing and hope.
