Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

The Jewish Actor Who Would Not Be Intimidated

The Austrian Jewish actor Fritz Kortner (1892-1970) is still a household name among German-speaking theater lovers, due to CD reissues of his readings, paperback reprints of his memoirs, and biographical tributes. Such was not always the case, as we learn from a fascinating essay, “Fritz Kortner on the Postwar Stage: The Jewish Actor as a Site of Memory” by Michael Bachmann, a professor at The University of Mainz, Germany. It’s published in a collection edited by Edna Nahshon of The Jewish Theological Seminary, “Jews and Theater in an Intercultural Context.”

Bachmann’s study describes what happened when Kortner, born Fritz Nathan Kohn in Vienna, decided to return to Germany after the war. In his early years, Kortner had worked with such noted Jewish directors as Max Reinhardt and Leopold Jessner, and specialized in expressionistic characters such as Dr. Schön in G. W. Pabst’s 1929 classic “Pandora’s Box” starring Louise Brooks.

Kortner also portrayed the unjustly accused Alfred Dreyfus in the 1930’s “The Dreyfus Case” in which Albert Bassermann played Colonel Picquart and Oskar Homolka was Major Esterhazy. Soon after Hitler’s rise to power in 1933, Kortner fled to Hollywood where he found work in bit parts. In 1949, to recover his language and culture, Kortner returned to Berlin. When he staged a production of Schiller’s “Don Carlos” in which soldiers fired their guns in the direction of the audience, unrepentant Nazis among the public shouted: “He’s shooting us! Jew!” Anti-semitic hate mail drove Kortner from Berlin to Munich and then back again, whereupon he declared: “I could not remain silent any longer, in order not to make myself the accomplice of a small group of anti-Semites that could easily become something very ugly if one does not alert people of its existence.”

Most controversially, Kortner acted in a 1960s production of “The Merchant of Venice” in which his overtly villainous Shylock shocked some theatregoers. Kortner explained that Shylock “stands up and he is a terrifying Jew, and that’s why I play him. He does not whine for mercy…I am an unintimidated Jew… I have found out that you succeed with this perspective rather than trying to sneak in.” After his death in 1970, some German journalists still seemed nonplussed by Kortner’s ferocity, claiming that the actor suffered from “persecution mania” and “delusional” fears that made him see “anti-Semitism everywhere.” Bachmann notes, it was “as if National Socialism never happened.”

See Fritz Kortner in rehearsal for the roles of Shakespeare’s Shylock and Richard III here.

Watch Kortner sharing his memories of Gustav Gründgens, the German actor who collaborated with the Hitler regime, inspiring Klaus Mann’s 1936 novel “Mephisto” and its 1981 screen adaptation here.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse..

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.