The puppy-eyed actor, so fabulously crushable as recently as two years ago in “Love and Other Drugs,” has been recently overshadowed by men like Ryan Gosling and Joseph Gordon Levitt in everything from chick flick roles to the part of my own heart devoted to actor crushes. Is this fair? No. Are these men any greater than the ever-adorable Gyllenhaal? Gosling may have sharper abs (okay, he definitely has sharper abs) and Gordon Levitt may have a permanent and irresistible twinkle in his eyes, but does that negate the deep blue of Gyllenhaal’s eyes? It does not.
Gyllenhaal not only has the major qualifications of leading men — charm and the ability to look good with his shirt off — but he has those secondary characteristics as well. He has acting range (I’ve never seen Brokeback Mountain but I would imagine the skills needed for that were quite different than those in Donnie Darko, or that ridiculously hilarious stoner movie, Bubble Boy) and he can, apparently, even transfer those skills to the stage.
Today, Gyllenhaal is starring not only in new action movie “End of Watch,” (which started September 21) but is also premiering on Broadway in the new play, “If There Is I Haven’t Found It Yet” (opened September 20).
So let’s bring the spotlight back to a man who deserves it. Let the teenage girls of America once again hang posters of this glorious male upon their bedroom walls. Let him return to his former state of objectification. And let such important discussions of his facial hair as that mentioned here get greater acclaim than they have until now.
In Defense of Jake Gyllenhaal