Maurice Sendak’s ‘Where the Wild Things Are’ at Society of Illustrators

Anelle Miller and Mort Gerberg Image by Karen Leon
There are monsters, dogs, cats, lions and “Wild Things” lurking on the walls of the Society of Illustrators’ East 63rd St. home in Manhattan. At the June 14 opening reception for “Maurice Sendak: A Celebration of the Artist and His Work,” guests were greeted by Society of Illustrators Executive Director Anelle Miller sporting a “Wild Things” character Max’s wolf headdress. At the entrance to the exhibit, sat a huge phantasmagorical owl with serious claws who kept his unblinking eyes on the comings and goings of the artsy sipping and nibbling guests.
Among the gems lining the Society’s walls: Sendak opera drawings from a 1983 Tchaikovsky “Nutcracker” album cover, a 1968 line and watercolor drawing of “Yash the Chimneysweep” used for I.B. Singer’s story “Zlateh the Goat,” part of a series published in the Saturday Evening Post. There are ballet posters, opera props, children’s books, a montage from “Did You hear What Happened to the Chicken Soup?” from the Really Rosie animated classic (1975) and more “ahh”-eliciting illustrations.
Downstairs is a display of amazing original artwork for “Where The Wild Things Are” (Harper & Row 1963). The show was originally planned during Sendak’s lifetime, with his approval. It has now been expanded to cover his other contributions in books, posters, magazines, animation and theater collectively. Society director Miller told me, “I worked with Justin Schiller and Dennis Davis the owners of the collection and Charles Kochman, Editorial Director Abrams, ComicArts who produced the exhibit’s catalog.”
Among the costumed and creative minglers: award-winning cartoonist Mort Gerberg, author of “The Old Jewish Cartoon Collection” (2008 Zeus Media Publishing), cartoonist and illustrator Tom Bloom, children’s book historian and critic Leonard Marcus, author of “Show Me A Story! Why Picture Books Matter — Conversations with 21 of the World’s Most Celebrated Illustrators (2012 Candlewick Press) and Monte Beauchamp, award-winning Chicago-based graphic designer and art director who is founder and editor of the Graphics-Illustration-Comics Annual “BLAB!”
Take the wild child within you — or kids and grandkids — to this delightful visual journey, which runs through August 17.
The Forward is free to read, but it isn’t free to produce

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward.
Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.
At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.
This is a great time to support independent Jewish journalism you rely on. Make a Passover gift today!
— Rachel Fishman Feddersen, Publisher and CEO
Make a Passover Gift Today!
Most Popular
- 1
News Student protesters being deported are not ‘martyrs and heroes,’ says former antisemitism envoy
- 2
News Who is Alan Garber, the Jewish Harvard president who stood up to Trump over antisemitism?
- 3
Fast Forward Suspected arsonist intended to beat Gov. Josh Shapiro with a sledgehammer, investigators say
- 4
Opinion What Jewish university presidents say: Trump is exploiting campus antisemitism, not fighting it
In Case You Missed It
-
Opinion He’s one of Israel’s worst extremists. So why is Yale legitimizing him?
-
Fast Forward FSU shooting suspect used neo-Nazi imagery on social media, ADL finds
-
Fast Forward Pope Francis’ final speech called for ceasefire and hostage release in Gaza war
-
Opinion Shackled, imprisoned and subjected to false accusations, Kilmar Abrego Garcia recalls the fate of Captain Alfred Dreyfus
-
Shop the Forward Store
100% of profits support our journalism
Republish This Story
Please read before republishing
We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:
- Credit the Forward
- Retain our pixel
- Preserve our canonical link in Google search
- Add a noindex tag in Google search
See our full guidelines for more information, and this guide for detail about canonical URLs.
To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.