Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.

Support the Forward

Funded by readers like you DonateSubscribe
The Schmooze

Behind-the-Scenes Jews Score at the Oscars

Spike Jonze won Oscar for best original screenplay/Getty Images

After some fairly lean Oscar years, full or partial Members of the Tribe scored well at the 86th Academy Awards, though mainly in the less glamorous, behind-the-scenes categories.

Israeli-American producer Arnon Milchan, who is an acknowledged intelligence operative for Israel’s nuclear weapon program, shared in the celebration for best picture winner “12 Years a Slave” as one of the seven listed producers who won a golden statuette on Sunday night.

Woody Allen, a regular non-attending entry at the Oscars, failed to win the original screenplay trophy for his “Blue Jasmine.” However, the honor went to “Her” writer Spike Jonze, born Adam Spiegel and the son of a Jewish father.

Perhaps the most satisfying win of the evening, from a Jewish perspective, went to “The Lady in No. 6: Music Saved My Life.” The short documentary tells the story of 110-year old concert pianist and Holocaust survivor Alice Herz-Sommer, who died exactly one week before the award ceremony.

In his acceptance speech, director Malcolm Clarke lauded Herz-Sommer’s “extraordinary capacity for joy and for forgiveness…She taught everyone on my crew to be a little more optimistic and a little bit more happy.”

Mexican cinematographer Emmanuel Lubezki, born Emmanuel Lubezki Morgenstern, was the anticipated winner in the best cinematography category for his extraordinary work on the space cliffhanger “Gravity.”

Among the five finalists for best foreign-language film honors was the Palestinian entry “Omar,” while Israel’s choice, “Bethlehem,” was eliminated early on.

Both movies pit the Israel security services against Palestinian militants, with “Omar” predictably drawing a highly unflattering portrait of the Israeli agents.

However “Omar,” like Israel’s past 10 nominations, did not garner the top prize, which went to Italy’s “The Great Beauty.”

For the first time in recent memory, the host for the evening, Ellen DeGeneres, did not indulge in any Jewish jokes during the evening. On the other hand, the Academy reversed its long neglect of African-American talent by featuring numerous black entertainers, presenters, award winners and the Academy’s new president, Cheryl Boone Isaacs.

Two widely publicized movies based on the financial shenanigans of real-life Jewish con men, “American Hustle” and “The Wolf of Wall Street” left empty-handed.

In an interesting footnote, Isaacs announced that 5 billion movie tickets were sold worldwide in 2013.

Engage

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.