Skip To Content
The Schmooze

Jewish Art Historian Takes the Reins at Met Museum

Photo by Don Pollard

The Metropolitan Museum of Art’s new president is an MBA-toting medieval art historian who links his relentless curiosity and academic passions to his Jewish background.

Dr. Daniel Weiss, who will replace Emily Rafferty in the top administrative job at one of the world’s leading — and largest — arts institutions, told the Forward he grew up “in a culturally Jewish family with no religious tradition, but with a serious interest in ideas, history, and issues of justice, as I have been in my own scholarly and professional interests. It was an environment with lots of Jewish values.”

A onetime management consultant who rose to become president of Haverford College before accepting the Met position, the Newark-born Weiss began his career managing museum shops at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A Yale MBA, Weiss then joined management consultancy Booz, Allen & Hamilton in New York.

Leaving to pursue art studies, he earned a PhD in Western Medieval and Byzantine Art before landing at Johns Hopkins University in Baltimore. “What makes my appointment unusual is the fact that I have significant experience as an art historian and a working scholar,” Weiss said. “It’s a happy marriage.”

After leaving Hopkins as a dean, he became president of Haverford College in 2003, continuing to teach and publish in journals like Art Bulletin, Holocaust and Genocide Studies, and Jewish Art; his books include Art and Crusade in the Age of Saint Louis (Cambridge University Press, 1998) and The Morgan Crusader Bible (Faksimile Verlag Luzern, 1999).

“I’ve been specifically interested in conflicts through religious traditions in the Middle Ages and the Crusades,” Weiss explained. “The teachings of the great monotheistic religions and practices that lead to violence and intolerance — how does that happen?”

The Forward asked about the threads connecting earning an MBA, studying medieval art history, and running a gigantic New York City museum. “They’re very different,” Weiss laughed. “Part of what I’ve pursued in my career is wide-ranging interests. I’m a curious person interested in a lot. My real passion is the history of art in ancient and medieval civilizations. Even with my MBA and administrative work now, I find ways to serve those interests.”

Will he get the chance to steer the museum’s content as well as its day-to-day business and long-term vision? “All of us who serve as leaders there inform our decision making by our values and the alignment of the mission of the institution with our professional skills,” Weiss said. “You can’t do this job administratively if you don’t understand deeply the institution’s core values.”

One of his first challenges will be overseeing the Met’s move this year to the Marcel Breuer-designed building on Madison Avenue that housed the Whitney Museum, itself on the move to Manhattan’s far west side. “It’s an enormous initiative. But there are thousands of others at any point in time,” Weiss said.

Weiss will report to Met director Thomas Campbell. According to its announcement of Weiss’s appointment, the Met employs more than 2,200 people, has an operating budget of more than $300 million, and boasts an endowment of approximately $3 billion, with more than six million visitors passing through its doors in 2014.

“It’s a staggeringly complicated and diverse institution. Goal number one is to advance big ideas, learn about the place, and keep it moving forward. The Met is distinguished by having people at top of their fields,” Weiss said. “My job to coordinate and harness that energy in a unified way. And I have to say that’s a thrill.”

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.