Skip To Content
Get Our Newsletter
JEWISH. INDEPENDENT. NONPROFIT.

Support the Forward

Funded by readers like you DonateSubscribe
The Schmooze

OITNB’s Jenji Kohan Was Once Nicknamed ‘White Devil Jew B****’ In A Writer’s Room

It’s hard out there if you’re a “white devil Jew b****.” Or at least it was for Jenji Kohan, whose says her first job in a writer’s room on “Fresh Prince of Bel-Air,” where she represented half of the show’s female writers, earned her the moniker. Kohan gives no context — it might have been a hate crime, a grudging compliment, or just an observation. She seems to like the ambiguity.

Kohan, the Jewish, pink-haired mother of three who is the showrunner and creator behind the massive hits “Weeds” and “Orange Is The New Black,” might be the most outrageous person in television. A new feature by Emily Nussbaum in the New Yorker reveals that behind the camera is a woman who is ruthlessly funny, defiantly politically incorrect, and endlessly searching. Her career is also riddled with examples of institutionalized sexism and the jagged intersection that runs through her work between Kohan’s identity at those of people from other marginalized groups. Here are the most shocking takeaways from the article:

Kohan Has Endured Exceptional Amounts Of Sexism

-Kohan’s mother, the writer Rhea Kohan, frequently brought her to plastic surgeons, but Kohan refused procedures

-Kohan applied to her first TV job not because of interest but to prove herself to her boyfriend, who said she had “more of a chance of getting into Congress than [she] did of writing for TV.”

-When Kohan was pregnant and interviewing for jobs, her agent told her to wear oversized clothing and eat candy throughout the interview so she would look fat instead of pregnant

-Kohan’s agent told her that she didn’t get a job working on “The Larry Sanders Show” because Garry Shandling wasn’t “comfortable working with women”

They Don’t Call Her A “Jew b****” For No Reason

-Gene Kelly came to Kohan’s bat-mitzvah

-Kohan recently bought and renovated the Rita Hayworth theater in Los Angeles but the mezuzah she put on keeps being stolen

-In the article, Nussbaum writes, “Kohan, who calls herself a “cultural, book Jew,” takes a Talmud class, and has been mulling over one of its themes: “How do two contradictory truths occupy the same space?”

Kohan Knows No Boundaries

-Mary-Louise Parker, the star of “Weeds,” wasn’t on speaking terms with Kohan throughout most of the show’s eight seasons. According to Nussbaum, “Once Parker threw a script at Kohan, shouting, “My mother can’t watch this.” Kohan responded, “I don’t write it for your mother.”

-Kohan is co-writing a pilot about Jesus’ teen years with Latin Nasser, who identifies as a secular Muslim

-Kohan has asked her black cast members on “Orange” to use the N-word in the script and they have refused

-Cindy Holland, who gave the green-light for “Orange Is The New Black” for Netflix, said that when she tentatively mentioned her discomfort about jokes made by Nazi characters on the show, Kohan rejoined, “I’m shocked by what comes out of people’s mouths outside a P.C. bubble. I want to represent it.”

Difficult to categorize:

-Kohan has a room full of collections of Eight Balls and jars of marbles

Jenny Singer is a writer for the Forward. You can reach her at Singer@forward.com or on Twitter @jeanvaljenny

Dive In

Engage

  • SHARE YOUR FEEDBACK

  • UPCOMING EVENT

    50th meeting of the Yiddish Open Mic Cafe

    Hybrid event in London and online.

    Aug 14, 2022

    1:30 pm ET · 

    Join audiences and participants from across the globe for this live celebration of Yiddish songs, poems, jokes, stories, games, serious and funny - all performed in Yiddish with English translation.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free under an Attribution-Non Commercial-No Derivatives Creative Commons license as long as you follow our republishing guidelines, which require that you credit the Foward and retain our pixel. See our full guidelines for more information.

To republish, copy the HTML, which includes our tracking pixel, all paragraph styles and hyperlinks, the author byline, images, and credit to the Foward. Have questions? Please email us at editorial@forward.com.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.