Juicy Couture Goes 50 Shades Darker And Flexes Its Non-Velour Tracksuit Muscles

Image by Juicy Couture

By Michelle Honig February 12, 2018

Designer: Juicy Couture
Date: Thursday, February 8, 2018
Location: Hotel Wolcott, Midtown Manhattan
Jewish? The founders Pamela Skaist-Levy and Gela Nash-Taylor are Jewish. The new creative director, Jamie Mizrahi, is also Jewish.

It’s official: The Juicy Couture of the 2000’s is dead.

Jamie Mizrahi took the bubblegum pink velour tracksuit a la Paris Hilton circa 2002 to a dark, Gothic place. Which made the Hotel Wolcott — a dilapidated Midtown building which may or may not be haunted — the perfect place to stage a morbid ode to the death of the original Juicy Couture.

It’s obvious that Mizrahi wants people to look at Juicy in a new way — that it’s more than tacky tracksuits for bored suburban housewives, but a brand that’s relevant in 2018. But that didn’t stop her from taking the opportunity to experiment with the iconic loungewear. The zip up was elongated by several inches, becoming a floor-length hooded duster in oversized paillettes. It was looser, more oversized. There was a definitive masculine edge, especially in the way the clothes were cut (particularly in the leather pieces). But as the show progressed, femininity began to emerge, making an appearance in leopard coats and a sheer, bubblegum pink puff-sleeved floor duster.

Sadly, the collection slowly morphed into a facsimile of Demna Gvasalia’s Vetements. Vetements, the influential French fashion brand which has made tacky, logoed clothing cool again, also made Juicy Couture relevant again a couple of years ago by creating several pieces in homage to the suburban loungewear staple. But in relying on Vetements influence, there’s a certain amount of enmeshment evident in Juicy Couture’s appeal for relevance. Juicy Couture can’t seem to shake Vetements, like with the pink sequined turtleneck gown that called to mind Vetements silver sequin dress that was famously worn as a Mommy and Me twinning moment by Kim Kardashian and her daughter North. In other words, if Juicy Couture continues down this path, it will become, quite literally, the poor man’s Vetements, making clothes that people with more money than sense want to wear.

In a branded finale, a gaggle of tracksuits trouped down the runway. And it was there that a glimmer of hope bubbled to the surface — the tracksuits, instead of looking tacky or dated, felt just right. In this era of streetwear, where $1,000 tracksuits are worn unironically, Juicy Couture’s aesthetic finally fits.

Michelle Honig is the style writer at the Forward. Contact her at [email protected]. Find her on Instagram and Twitter.

The Forward is free to read, but it isn’t free to produce

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. We’ve started our Passover Fundraising Drive, and we need 1,800 readers like you to step up to support the Forward by April 21. Members of the Forward board are even matching the first 1,000 gifts, up to $70,000.

This is a great time to support independent Jewish journalism, because every dollar goes twice as far.

— Rachel Fishman Feddersen, Publisher and CEO