Skip To Content

Support the Forward

Funded by readers like you DonateSubscribe
The Schmooze

Rita Moreno’s Recycled Oscars Gown Is Why Personal Style Should Reign On The Red Carpet

Casually tossing aside the taboo of recycling an outfit, Rita Moreno — who is supposedly of crypto-Jewish descent — wore the same dress to the Oscars that she wore 55 years ago. At the 1962 Oscars, for which Ms. Moreno was nominated (and won) as Best Supporting Actress for her performance in West Side Story, Rita Moreno wore a black halterneck dress with a skirt made out of a single piece of gold brocaded obi fabric.

For this year’s Oscars, she altered it a bit: the neckline was contracted, becoming a heart-shaped strapless dress. And unlike 1962, this year she went heavy on the accessories: earrings, a collared necklace, a bejeweled cuff, a turban headband. The only accessory that remained the same was the elbow-length black opera gloves.

Let’s reiterate — this dress is FIFTY FIVE YEARS OLD and Ms. Moreno still fits into it. I can barely fit into my clothes from last season. I can’t imagine fitting into an evening gown half a century from now.

And it hearkens back to a time when Hollywood starlets didn’t have stylists to help them look perfect on the red carpet. Red carpet style is increasingly commercial — few risks are taken and the result is boring. The bright sheen of an overly perfect image of glamour creates a sea of nameless, faceless design. Ms. Moreno’s look is unconventional and bold, it’s not particularly “fashionable” (see: opera gloves), and the disjointed styling looked dated.

But it was the inherent unfashionable quality of the dress that made such an impact, with outlets like The Cut going as far as to term the look “Iconic.” It was a bold gesture, one that took the kind of don’t-give-a-f*** attitude that comes with age. And the overall positive reaction to it is a testament to the idea that sometimes, maybe, the Best Dressed List is irrelevant. Wearing a gown filled with nostalgia and meaning that takes the idea of recycling clothes and sustainable fashion to a whole other level makes the case against glossy, if superficial, perfection.

Michelle Honig is the style writer at the Forward. Contact her at [email protected]. Find her on Instagram and Twitter.





    Hybrid: Online and at the Marlene Meyerson JCC Manhattan

    Oct 2, 2022

    6:30 pm ET · 

    A Sukkah, IMKHA, created by artist Tobi Kahn, for the Marlene Meyerson JCC of Manhattan is an installation consisting of 13 interrelated sculpted painted wooden panels, constituting a single work of art. Join for a panel discussion with Rabbi Joanna Samuels, Chief Executive Director of the Marlene Meyerson JCC of Manhattan, Talya Zax, Innovation Editor of the Forward, and Tobi Kahn, Artist. Moderated by Mattie Kahn.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.