Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Watch A Jewish Youth Group Pelt Rapper T-Pain With A Beach Ball

Pour one out for rapper T-Pain’s relationship with the national Jewish youth movement BBYO.

Teachers everywhere nodded in understanding this weekend, hearing that international rap and R&B phenomenon T-Pain walked off the stage before the end of his concert, unwilling to spend even one more minute attempting to entertain teenagers.

“Disrespectful,” the legendary rapper said of the youths, who threw glow sticks and a beach ball at his head as he performed.

A spokesperson for BBYO confirmed for the JTA, “Members of the audience did throw glow sticks at the beginning of the show and were asked not to. T-Pain left the stage after being hit by a beach ball.”

via GIPHY

T-Pain is typically an energetic, affable performer.

The concert, the JTA reports, drew over 2,000 teens, and took place in Denver at the BBYO International Convention, an annual gathering of BBYO chapters.

In a nearly 10-minute long explanation on Instagram captioned “beach ball context,” T-Pain, who is grieving for his recently deceased brother, explained that after 12 hours of travel and a room mix-up at the hotel, he rushed to the convention center to make it on time to the performance, unable to shower or brush his teeth. T-Pain had signed a no-alcohol contract with BBYO; moments before walking on stage, he was asked by staff to avoid cursing. “You know most of my songs, like — real dirty? Talking about strippers and alcohol in most of them,” he says he told the organizers. (For context, two of the Floridian’s biggest hits are titled “Buy U A Drank” and “I’m N Luv (Wit A Stripper)”.

Despite these factors, the Grammy winner said, “I [came] out super energetic,” but noticed that at least 80% of the crowd wasn’t listening. “I get that,” he reflected. “They’re high school kids. It’s not my demographic,” he said, adding that kids were going in and out of the venue, trying to chill, “Just like high schoolers do. That’s a normal thing.”

But after a barrage of objects, including several glow sticks and a frisbee hit him in the head, the performer got permission from his manager to pause the show. He says he told the teen audience, “Guys. I’m really trying to do a good show up here,” and asked them to stop throwing things at his head, sharing that he was dealing with the recent death of his brother. “Don’t throw anything at me please,” he recalls saying. “It makes me feel like you don’t give a f**k about what I’m doing up here. I know you don’t, but you don’t have to make me feel that way.”

Singing and rapping gamely in front of a swiveling menorah graphic just ten minutes before the show was scheduled to end, footage shows an audience member lobbing a plastic inflatable beach ball at T-Pain’s head. This was the final straw from an audience that exuded constant disrespect, T-Pain said.

“Let me tell you something,” he said. “I’m the motherf*****g goat. [Greatest Of All Time.] “I don’t give a f**k what you think, cause you 15, 16 years old…You ain’t about to treat me like a f*****g substitute teacher, when I’m the f*****g GOAT.”

Every parent, educator, rabbi, and babysitter has, one time or another, looked herself in the mirror after a particularly difficult interaction with teens, and said these exact words. It is a comfort to know that even the man who sings the lyrics “Shawty got class, oh behave!”

Hang in there, T! Don’t let the youths grind you down. We think he’ll be back to enjoying baggy sweatpants with the Reeboks with the straps before you know it.

Clarification, July 11, 2019: The original article erroneously stated that T-Pain learned of the no-alcohol policy immediately before performing; he in fact had signed a no-alcohol contract.

Jenny Singer is the deputy life/features editor for the Forward. You can reach her at [email protected] or on Twitter @jeanvaljenny

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.