Byline Bias — and What We Can Do About It

This year’s batch of VIDA numbers, detailing women’s bylines — or lack thereof — at major literary-oriented magazines and book review sections were as dismal as last year’s, as Elissa notes.

I got into writing and journalism to elevate other people’s voices. I find it demoralizing that I have to fight to get my own heard. I shouldn’t be surprised: my high school newspaper was sexist; my college newspaper was sexist. I decided to be a professional freelancer in part because I simply didn’t want to deal with being the “office feminist” in a newsroom that I assumed would be a hostile environment.

On one level, reading those skewed numbers blows my mind; on another, I want to shout “of course!” After all, the simple belief that women should have the same social, economic, and political opportunities as men, is treated by some today as compromising one’s “objectivity.” Even for male journalists, taking active steps to combat sexism probably jeopardizes their reputations as detached and scrutinizing (or they think it does, and that’s their excuse).

And, in my experience, the reality may even be worse than the numbers. Women who are allowed to be prominent — and this is not to erase those who do it on their own merit, because their numbers are growing — often don’t challenge the worldview of those who hire them. In fact, given all the anti-feminists like Caitlin Flanagan, Katie Roiphe and Christina Hoff Summers taking prime media real estate, it would seem that for women, reinforcing sexism is a good formula for vaulting ahead.

It’s absurd that so little progress has been made. The world of writing should not only be eliminating gender bias, we should be focusing energy on recruiting and retaining writers from diverse socioeconomic and ethnic backgrounds, eliminating unpaid internships to widen the pool of potential staffers, and making sure that in the future, “thought leaders” are not simply “coastal elites” and J-School grads who represent a slim proportion of actual thought. I shudder to think of what a VIDA-like chart for white vs. nonwhite writers would look like.

I probably sound cranky. I admit I am. To compare my own frustrated reaction to others I asked my literary and journalist friends on Facebook and Twitter how the VIDA numbers made them feel, and here are some of the answers I got:

Last year, a number of editors responded to Elissa Strauss about their paltry. This year, nothing has changed — and as my own informal surveying shows, many of us didn’t even expect it to.

So here’s my message to the editors and staffers at publications large and small: don’t just tell women to pitch more. Yes, we should pitch more, but institutionalized problems — as the VIDA numbers show this to be — demand institutionalized solutions.

Here are a few ideas:

There is actual work that can be done. Some of that work may mean giving up power, or giving less space to your buddies. That’s the price of equality. But maybe doing the work this year will mean that when the numbers come out next year, women will be surprised instead of seeing exactly what they expect.

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