Why An Iranian ‘Death Of A Salesman’ Makes Arthur Miller Even More Relevant
Midway through Asghar Farhadi’s “The Salesman,” Emad, the actor and schoolteacher who serves as the Oscar-nominated film’s protagonist, seizes one of his student’s phones, hoping to delete photos the student has taken of him sleeping. He castigates the boy for the risqué images he finds, telling him his father needs to look at them. A…