Crossposted from Haaretz In the final scene of Hanoch Levin’s “The Suitcase Packers,” a comedy with eight funerals now revived at the Cameri, the surviving characters stand around “this cart” pulled by the gravedigger, holding the white-sheeted body of Henya Gerlenter. Her son Elhanan (Dror Keren, who has a Levinesque childish innocence) is possibly the…
Crossposed from Haaretz For years now the Cameri Theater has been the country’s busiest cultural project. On an ordinary day one can choose to see any one of five productions in the building in Tel Aviv (Cameri 1, Cameri 2, Cameri 3, Cameri 4 and also a cafe-theater, where the performances are not part of…
Crossposted from Haaretz A legal issue to be arbitrated in the Tel Aviv District Court this May raises a philosophical-artistic question that exceeds both the narrow boundaries of law books and the broader limits of the stage. Y., the victim of a gang rape on Kibbutz Shomrat in 1988 when she was 14, is suing…
It is sadly fitting that in a play about language’s inability to explain political and religious differences, set design and subtitles conspired to thwart the actors. But such was the case at the opening of the Tel Aviv-based Cameri Theatre’s production at Theater J in Washington, D.C. of Return to Haifa, which runs until January…
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