Going to see an intense, absurdist Hebrew play performed in Yiddish for 20 people in Manhattan’s West Village may not be the most esoteric entertainment I’ve enjoyed in my decade at the Forward (though it surely comes close), but explaining its significance presents a challenge. And yet, just like Hanoch Levin’s “The Labor of Life”…
On a recent Friday evening, I was sitting in Manhattan’s Castillo Theatre, on West 42nd Street, waiting to see a production of Samuel Beckett’s “Waiting for Godot.” As the house lights went down, and the stage lights went up, the play’s minimalist set came into view: a low mound and a bare tree that looked…
A few months ago, we reported on the growing number of crowdfunding campaigns for Yiddish projects, including an effort to raise $40,000 for a Yiddish production of “Waiting for Godot.” That campaign didn’t meet its goal, but the play will be going forward anyway, in part thanks to the $7,370 it did succeed in raising….
A version of this post appeared in Yiddish here. To perform Yiddish theater today, you need a lot of money, or a lot of ambition. The New Yiddish Rep theater company, led by David Mandelbaum, has the latter. Mandelbaum is an actor and director who also plays most of the other roles a theater company…
The year is 1943. The place is Warsaw. The ghetto uprising has been crushed, but one man, a Hasid by the name of Yosl Rakover, is still alive, and he is busy recording his sordid tale for posterity. After recounting the events of the last few years — the deaths of his children and grandchildren,…
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