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The man who provided the source material for an Ophir-award winning documentary about Nazi architect Albert Speer is challenging the film’s accuracy, claiming the filmmakers put words in his — and Speer’s — mouth. Screenwriter Andrew Birkin, who tape-recorded over 40 hours of conversation with Speer while developing a film adaptation of Speer’s memoir “Inside…
Of all the indicators of exactly how fast public life moves in the twenty-first century, few are more perplexing or disturbing than the fact that it’s now possible for liberals to experience nostalgia for Steve Bannon. No matter how much one has tried to keep up with this acceleration, the ever-increasing pace at which the…
Details are salaciously short, but documentarian Errol Morris appears to have made a film with — of all people — Steve Bannon. We know the film, titled “American Dharma,” will debut at the Venice Film Festival and that it’s meant to be a “dialogue” — a broad description that applies many of Morris’ films —…
Academy Award-winning documentarian Errol Morris (“The Fog of War: Eleven Lessons From the Life of Robert S. McNamara”) has most recently turned his Interrotron on former Secretary of Defense Donald Rumsfeld for 33 hours of interviews in his new film, “The Unknown Known.” When asked a question Morris’s brain ticks while he stares directly at…
Roger Ebert, America’s most famous film critic, died yesterday at the age of 70. Every celebrity he had ever lauded with praise or declared inapt — cough Rob Schneider —rushed to give his life a thumbs up. Ebert, an avid tweeter himself, would have been proud. Saddened to hear of the passing of Roger Ebert….
● A Wilderness of Error: The Trials of Jeffrey MacDonald By Errol Morris The Penguin Press, 544 pages, $29.95 Between the alternative narratives (and universes) presented by the recent political conventions and the cycle of soul searching/forgiveness/redemption of the High Holy Days, it is the perfect moment to reflect on the human and systemic failures…
Because Errol Morris believes in the power of eye contact, he invented unpatented machines called the Interrotron and the Megatron that allow his documentary subjects to look directly at his face on a projected screen while he is in another room. This unusual method lends a startling intensity and intimacy to his mesmerizing films. It…
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