In 1973, during the Yom Kippur War, Gideon Spiegel, the Tel Aviv-based Israeli artist also known as Goodash, entered an abandoned Egyptian house and leafed through family photo albums that had been left there. That experience of connecting to photos of a family amid the ruins of what was once their home led to his…
Three hundred of Charlotte Salomon’s beautiful expressionist paintings illustrating a young German Jewish women’s self-discovery can be seen at San Francisco’s Contemporary Jewish Museum until July 31. The same week that the San Francisco exhibit opened, an enormous comic book convention nearby attracted thousands of young readers searching for their latest superhero (Green Lantern this…
An exhibition of rare Jewish books, now on display at the Jewish Religious Center at Williams College, Massachusetts, marks the center’s 20th anniversary. Alumnus and Jewish art collector Sigmund R. Balka loaned the books — part of his own personal Judaica collection — to the center as a means of honoring its contribution to his…
Crossposted from Haaretz If you’re willing to pose with a hibiscus flower in place of a sexual organ, or have a lobster dance with you as you strike a pornographic pose — and have that photo tagged on Facebook — you have to pay for it. Yoash Foldesh approaches a wide drawer in his house,…
Crossposted from Haaretz Last Friday, a day before the opening of his solo show, “NU,” at the Dvir Gallery (Hangar 2, the Jaffa port), Algerian artist Adel Abdessemed looked relatively calm. His works, which arrived last week, had been carefully and slowly unboxed and set up, one behind the other, in the large, darkened space….
“Rosh Hodesh: Beginning and Renewal,” a community art exhibition on view at the San Francisco Bureau of Jewish Education’s Jewish Community Library until July 31, begins and ends with an egg. Curator Elayne Grossbard selected Amy Kassiola’s colorful mixed media “One Cycle of the Moon,” which depicts the egg of a woman’s menstrual cycle, as…
“Do you think we told a good story?” filmmaker Sharone Lifschitz asks her mother at the end of her video installation “The Line and the Circle.” “Yes, we talked about all sorts of things,” her mother responds. “You will now have to edit it.” The installation, a short film tucked away from the main galleries…
Crossposted from Haaretz “Heaven,” a work by Miroslaw Balka now showing at Hangar 2, Dvir Gallery’s space in the Jaffa Port, stirs more than a trace of irony. Sixty-eight Perspex rods, each wrought in a kind of open spiral, turn slowly, “flowing,” reminiscent of decorative objects sold at spiritual fairs or plant nurseries. In the…
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