Photo courtesy of Andy Statman The version of “The Lord Will Provide” on “Old Brooklyn,” Andy Statman’s virtuosic two-CD excursion through all manners of American and Jewish music, struck me as unusual, and not just because the voice and clarinet duet is spine-tinglingly powerful. It’s more because the 18th-century hymn, written by James Newton —…
Although they’ve had a number of earlier releases, “Where we come from… Where we’re going,” a challenging CD that is almost equal parts avant-garde jazz and klezmer music, was my introduction to Klezmokum, an Amsterdam-based band (Mokum is the old Jewish name for Amsterdam) led by Burton Greene, a pianist with a long history and…
I never learned to speak Yiddish. As a child in the 1950s and ‘60s, it was the language of my grandparents, the language that my parents only spoke when they didn’t want me or my brothers to understand what they were talking about (and I don’t think they spoke it when my childhood friend Michael…
I’ve always had a deep appreciation for bluegrass. A form of Southern mountain music in overdrive, bluegrass coalesced in the late 1940s when Kentucky mandolinist and singer Bill Monroe, who had previously played old-time country and Appalachian music in a duo with his brother Charlie, formed a band called the Blue Grass Boys. The band…
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