A version of this post appeared in Yiddish. Lev Berinsky is poet who cannot be bounded by easy definitions. He writes in Russian and Yiddish, and lives in Israel, but is best known in Germany. A poet to his core, he is also a gifted translator, journalist and essayist. Though his work is scattered throughout…
A version of this post appeared in Yiddish. As one unravels the history of the 20th century, it becomes apparent how deeply individual lives were woven into the larger fabric of world events. From the shtetls of Eastern Europe a new generation of Jewish youth emerged whose exploits shook the entire world. Now, after the…
A version of this post appeared in Yiddish. The name Mark Epshtein (1899-1949) no longer occupies a prominent place in Yiddish cultural history, but a current exhibit in Kiev brought the artist back to the city where he created his most important work. “The Return of the Master,” which runs until February 20 at the…
A version of this post appeared in Yiddish. The modern period in Yiddish prose began with Yisroel Aksenfeld’s novel “Dos Shterntikhl” (“The Headband”), written some time in the 1820s, which opens with a detailed description of the shtetl “Loyhoyopolie.” The name, which can be translated as “Nosuchville,” is a neologism, made up of the Hebrew…
In the 1920s, Yiddish was more than just a lingua franca for East European Jewish émigrés; it was also a language of high culture, as demonstrated by a brilliant new book, “Yiddish in Weimar Berlin: At the Crossroads of Diaspora Politics and Culture” (Legenda Books), edited by New York University Yiddish scholar Gennady Estraikh and…
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