Read a fascinating interview spotted on OpenCulture between Jewish philosopher Jacques Derrida and jazz saxophonist Ornette Coleman
Jazz innovator Ornette Coleman, inventor of the term “free jazz,” has died at 85. Seth Rogovoy how Coleman was influenced by cantorial music.
Although they’ve had a number of earlier releases, “Where we come from… Where we’re going,” a challenging CD that is almost equal parts avant-garde jazz and klezmer music, was my introduction to Klezmokum, an Amsterdam-based band (Mokum is the old Jewish name for Amsterdam) led by Burton Greene, a pianist with a long history and discography dating back to the early 1960s. One of the other band members, clarinetist Perry Robinson, has been a significant musician on the free jazz scene for about as long as Greene.
I was pleased to see a profile in the New York Times on July 20 of the unusual cantorial-music-aficionado-turned-audiophile-sound-engineer Mendel Werdyger. Werdyger is the proprietor of Mostly Music, one of the last bastions of old school Jewish culture in New York City. While you can certainly buy the standard schlock recordings of Hasidic boys choirs there, the shop is also rich with reissues of powerful cantorial records and classics of Yiddish theater and Hasidic music.