If ever there was a time we needed to hear from hip-hop legends Public Enemy, this is it. One might assume that the group that gave voice and sound to the frustrations of African-Americans during the Reagan-Bush years would surely have something powerful to say about America in the age of Ferguson and Baltimore, Eric…
Image Courtesy of the Adler Archive This week “Def Jam Recordings: The First 25 Years of the Last Great Record Label” arrives in book stores. The 300 page hardcover tome is 12” X 12,” the same size as an old school LP and has a cover price of $60. It may be chock full of…
Novelist Alice Walker explains why she is sailing to Gaza. The New York Times profiles Idan Raichel, Israel’s “musician of the decade.” JWeekly profiles the Ridin’ Chai Motorcycle Club of Northern California. In Souciant, The Arty Semite contributor Joel Schalit writes about Public Enemy in Arabic. In Tablet, The Arty Semite contributor Shulem Deen writes…
Courtesy of Yitz Jordan/Shemspeed Records. Photo by Jonathan Hunter. Y-Love, also known as Yitz Jordan, is a black Jewish convert from Baltimore who feels just as comfortable at underground freestyles as he does at the Sabbath table. The son of a Puerto Rican mother and an Ethiopian-American father, Y-Love converted in 2000 at Brooklyn’s Conversion…
In the subculture of Christmas mixtapes Bill Adler is a very important Jew. For close to 30 years, the Manhattan music maven has put out “Xmas Jollies,” which just may be the most eclectic Yuletide mixtape on the planet. Adler has what musicians refer to as very big ears and for many of his 300…
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