By Daniella Wexler
Wearing a funny hat and spewing bad biblical puns, Aaron Friedman didn’t look or sound like your typical Moses as he took to the stage during a recent performance by the Bible Players theater group.
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By Daniella Wexler
When it comes to weddings, even the most secular of Jewish couples often reverts to tradition and asks a rabbi to officiate at the ceremony. So if the Jewish community needs to get an important message across to prospective parents at all levels of religious involvement, how better to convey that information than through the rabbi with whom they’ve placed their trust at such a critical life juncture?Read More
By Daniella Wexler
On June 14, I
reported that experimental filmmaker Barbara Hammer had declined a fellowship at the American Academy in Jerusalem for “personal reasons” — the explanation given by the Foundation for Jewish Culture, which supports the AAJ. At the time, I reached out to Hammer to explain her decision. Hammer, who was then in China, promised to issue a more complete explanation upon her return.
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By Daniella Wexler
Writers are always looking for new ways to tell stories, and
Carmela Ciuraru has found hers in “Nom De Plume: A (Secret) History of Pseudonyms.” In her latest book, Ciuraru, editor of eight poetry anthologies, chronicles the role of the pseudonym in the last couple of centuries through sixteen literary figures, some more obscure (Fernando Pessoa, Henry Green, Anne Desclos), and some from the highest echelons of literary renown (
Mark Twain, George Orwell, Sylvia Plath).
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By Daniella Wexler
Those craving a fix of Jewish pulp might enjoy “Jerusalem Maiden,” the latest novel by Talia Carner, women’s activist and former publisher of Savvy Women’s Magazine. Set in early 20th century Palestine during the decline of Ottoman rule, the novel follows Esther Kaminsky — a heroine inspired by the author’s grandmother — whose ultra-Orthodox lifestyle stifles her artistic and romantic urges. Will she reconcile her appetite for adventure with her deep-seated faith before it’s too late? And, perhaps more importantly: How much stilted dialogue and clunky imagery (“The iron felt heavier than a barrel of pickles”) will readers have to weather before they find out?
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