Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

Get To Know These Three Latin American Jewish Poets On #WorldPoetryDay

On National Poetry Day, we introduced you to four of our favorite American Jewish poets. Now, for World Poetry Day, get to know three Latin American Jewish poets.

There’s a surprising lack of their work in English translation, so if you’re a Spanish-speaker — all three are from Spanish-speaking Central and South American countries — go forth and peruse them in their original language. If you’re not, enjoy the poems in English, below.

Juan Gelman

Gelman, born to Ukrainian Jewish immigrants in Buenos Aires in 1930, was a decorated poet, winning the Cervantes Prize, the highest honor in Spanish-language literature, in 2007. He was also a symbol of political resistance in Argentina, becoming an outspoken critic of Argentina’s military junta during the so-called dirty-war.

At the time the war broke out, Gelman was living in exile in Europe; his daughter, son, and pregnant daughter-in-law were all among the thousands of “disappeared” citizens kidnapped by the government during the junta’s rule. While his daughter and granddaughter survived, his son and that son’s wife were killed. (Gelman didn’t locate his granddaughter until 2000, when she was reunited with the rest of her family.)

As a poet, Gelman, who passed away in 2014, was deeply interested in the shades of the languages in which he chose to write, partially explaining the dearth of his work in translation. He began teaching himself Ladino, the Sephardic Jewish language derived from Hebrew and Old Spanish, later in life, and eventually published a book on the Sephardic diaspora in the wake of the Spanish inquisition.

In a rare appearance of Gelman’s work in English, Mexico City Lit published six of his poems, translated by Robin Myers, in 2014. “A bird once lived in me./A flower traveled in my blood./My heart was once a violin,” he writes, in “Epitaph.” Read more of that poem, and its companions, here.

Alejandra Pizarnik

Like Gelman, Pizarnik was born in Buenos Aires to immigrant parents, although her family hailed from Russia rather than Ukraine. A lyric poet, she relocated to Paris in 1960, where she found a home in a circle of Spanish-language writers including poet and short story-writer Silvina Ocampo, poet Octavio Paz, and novelist Julio Cortázar.

Throughout her career, Pizarnik was heavily influenced by French artists and intellectuals, including poet Arthur Rimbaud and dramatist Antonin Artaud. As she writes in “Your Voice,” one of a set of three poems translated by Yvette Siegert and published in the Boston Review, “Ambushed in my writing/you are singing in my poem.” Was she was writing of a friend, lover, or one of those influences? We’re unlikely to know. Puzzle over that poem, and the rest of the set in which it appeared, here.

Elizabeth Schön

Schön, who passed away in 2007, was born in Caracas, Venezuela in 1921. As poet and translator Guillermo Juan Parra wrote for Galatea Resurrects in 2006, Schön is almost unknown outside of her home country.

In an essay on Schön by Yolanda Pantin, translated by Parra, Pantin observes the poet’s powerful balance of impetuses, writing “We have seen that many poets value more what surges from the unconscious like a brute force than what results from intellectual effort.”

“But Elizabeth Schön’s poetry congregates both forces because it is impossible to separate the heart from the head, sensibility from reason, poetry being the balancing point: it is not thought, it is not emotion.”

Parra’s translations of 16 of Schön’s prose poems are some of the few examples of her work in English currently available.

“Whatever place we might visit, we will find something beautiful,” she writes in one. “I don’t think ugliness exists; if it does, it is surely the result of there not being enough clarity to appreciate the streets, the sharpness of the colors, the patience of the breeze that knocks on the large wooden doors until they open making a sound very close to the one that arises if you write on an old, worn chalkboard, with many cracks.”

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.

In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.

At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.

Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Only 300 more gifts needed by April 30

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.