Ladino, the language of the Judeo-Spanish Diaspora, has unfairly languished behind Yiddish in the Jewish language popularity sweepstakes. With the release of her 2009 U.K. album “Sentir” in the United States and an accompanying tour, including upcoming shows in New York, Los Angeles and San Francisco, Israeli singer Yasmin Levy joins a bevy of artists trying to change that. Alongside artists like Sarah Aroeste, Judith Cohen and Flory Jagoda, Levy tries to channel a rich, transnational, historical genre for modern audiences. Like those artists, she has succeeded in evoking something distant and foreign. She has failed in similar ways too, producing another Ladino project trapped as a token of the past without bringing anything exciting and new to the table.
“Sentir,” Levy’s fifth album combining Ladino music with Andalucian Flamenco, is a far better exhibition of Levy’s voice that it is of the Judeo-Spanish musical history it weaves through over 12 tracks. Even when the songs blend into each other, melodies failing to distinguish themselves, Levy’s voice is commanding. On the opening track, “Mi Korason,” her voice quivers, slipping elusively behind and under and through the lyrics. On “Londje De Mi” she shows off her vocal mastery, flashily trilling or halting breathily, unfortunately illuminating how lackluster her musicians are by comparison.
Listen to ‘Mi Korason’: