“Courage is sometimes no more than an outburst of great despair.”
Early on, when our hero and narrator delivers the above line, one begins to suspect that “Mary Lou,” the infectious, surprisingly rich new musical drama from Israeli director Eytan Fox, has more to offer than sugary pop escapism, though it is generous on that front. Most of the major plot developments and character actions, courageous or not, are motivated by deep pathos, and that juxtaposition between sadness and sparkle lend “Mary Lou” its uniquely strange, fascinating character.
The film, which screened March 28 at the New Jersey Jewish Film Festival, began as a four part miniseries on Israeli television and won Best Miniseries at Israel’s annual television awards in 2010. It tells the story of Meir (Ido Rosenberg), a young gay man searching for his long-lost mother, Miriam (Maya Dugan), who calls herself Mary Lou. Mary Lou, who disappears on Meir’s 10th birthday, is an obsessive fan of Israeli pop star Svika Pick (her assumed nickname comes from one of his biggest hits), so Meir becomes convinced that she has run away to become the musician’s backup singer. It’s a lie that Meir tells himself, and anyone else who will listen, shortly after her disappearance; as he grows into an adult, he comes to believe in it heartily enough to make his own escape to Tel Aviv, certain he will find his mother there.