“Strange now to think of you, gone without corsets & eyes, while I walk on / the sunny pavement of Greenwich Village. / downtown Manhattan, clear winter noon, and I’ve been up all night, talking, / talking, reading the Kaddish aloud..”
Rosi Golan has a very pretty voice. With seeming effortlessness the Israeli singer-songwriter pours out soulful pop ballads, hitting each note perfectly. Her second full-length album, “Lead Balloon,” features 12 songs that affirm her ability to deliver an entirely pleasant record. From “Paper Tiger,” a playful, upbeat number, to the album’s slightly more reserved title track, each piece conveys the ease with which Golan can sing beautifully.
Over the past decade world music has made a veritable comeback, trickling into the mainstream and infusing the indie and alternative rock scene with eclectic and unexpected rhythms. From the emergence of bands like Golgol Bordello and Balkan Beat Box to the return of Brazilian psychedelic rockers Os Mutantes, world music has become more popular, with bands borrowing from the traditional music of their own heritages and others, peppering their music with ancient sounds and lively beats.
Photo by Chiko. Courtesy of Kscope Music.
“Do you think we told a good story?” filmmaker Sharone Lifschitz asks her mother at the end of her video installation “The Line and the Circle.” “Yes, we talked about all sorts of things,” her mother responds. “You will now have to edit it.” The installation, a short film tucked away from the main galleries in New York’s Jewish Museum, where it is showing until August 21, is a small yet sweeping film that beautifully weaves together narratives about what it means to be a child, a daughter, a kibbutznik and an Israeli — and what it means to preserve memories while also embracing and forgiving the past.