
A.J. Goldmann is a writer based between Munich and Berlin. His articles about European and Jewish culture have appeared in The Wall Street Journal, The New York Times, The Atlantic, The New Republic, and The Guardian.

A.J. Goldmann is a writer based between Munich and Berlin. His articles about European and Jewish culture have appeared in The Wall Street Journal, The New York Times, The Atlantic, The New Republic, and The Guardian.
	‘It is said that the Golem lives everywhere and in all times,” wrote the Polish-Jewish writer David Frishman in 1922. Is Donald Trump the Golem of the current age? That tantalizing question is posed at the beginning of the Berlin Jewish Museum’s exhibit about Judaism’s folkloristic man of clay, starkly titled “Golem,” the name stripped…
	Historians will probably discuss Leonard Cohen’s death alongside two very different developments, Trump victorious and Bob Dylan’s Nobel Prize win. “Everybody Knows,” one of Cohen’s bleakest songs, has instantly become an anthem for the despair felt by much of the world in the wake of the election. Leonard Cohen was a weary-voiced troubadour to the…
	A paradox lies at the core of Frederick Kiesler’s legacy. Over a career that spanned half a century, the protean and tireless architect, designer and theoretician actually built precious little. His most famous and, arguably, most radical design, the free-form pod-like “Endless House,” never yielded a satisfactory prototype, despite nearly 40 years of planning; few…
	From Berlin to Moscow; London to Vienna; Copenhagen, Denmark, to Budapest, Hungary, and, recently, Warsaw, Poland, the map of Europe is dotted with museums dedicated to the history and culture of Jewish communities past and present. Although the Jewish Museum in Prague dates back to 1906, the majority of Jewish museums now on a Jewish…
	If I needed to choose my favorite incongruous moment from Uwe Eric Laufenberg’s spectacularly bad production of “Parsifal,” which opened this year’s Bayreuth Festival, I would choose the shukling, or davening, Jews in tzitzit and yarmulkes, who appear in the third act chorus. Titurel, the ancient leader of the Knights of the Grail, has just…
	Vengeful. Bloodthirsty. Merciless. Jewish. William Shakespeare’s “The Merchant of Venice” is practically synonymous with Shylock, the moneylending Jew who demands a pound of flesh from his Christian nemesis Antonio (the actual merchant of the title). But Shakespeare’s romantic-comedy-meets-courtroom-drama it is also full of thorny legal issues. Was there ever a demand for payment prior to…
	As I prepare to interview William Friedkin, I keep thinking about an assignment I had in high school. A much-loved high school history teacher asked us to write a term paper analyzing a classic European film alongside its American remake. The pairing I chose was Henri-Georges Clouzot’s “Wages of Fear” (1953) and Friedkin’s “Sorcerer” (1977)….
	Hugging the port of Cannes on either side of the Grand Palais du Festival is Village International, a colony of national pavilions, each promoting their own homegrown fare. This year, for the very first time in the history of the festival, Israel set up its own pavilion, right alongside China’s, whose red flag waged vigorously…
	
	
	
	
	
	
	
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