Jazz, Talmud, and the Postmodern Jewish Condition

Graphic by Angelie Zaslavsky
This Monday, September 27, the Forward is proud to sponsor “Jazz Talmud,” a “conceptual, multi-genre art performance,” by Forward (and Arty Semite) contributor Jake Marmer. Jake writes:
I wrote a sequence of “Talmudic” poems that imitate the rhetoric and turn of phrase of the Talmud but are about other things — dreams, crisis, jazz, the whole post-modern Jewish condition. I will be performing these poems with two horn players: Grammy-winning Klezmatics trumpeter Frank London and another klez legend, Greg Wall: They will be acting as Rashi and Tosafot — spontaneous interpreters of the text. Fifteen-piece jazz-klezmer group Ayn Sof Arkestra will also participate on a few compositions, as the “acharonim” — the interpreters of the interpreters. Then Ayn Sof will play their own set.
The performance will be at New York’s Cell Theater, at 7:30 p.m.
Hello, fellow Forward reader! I’m Joel Brown, a Forward reader and supporter for more than 15 years, and currently the chair of the board of directors.
I’m an avid Forward reader because it ticks so many of my essential boxes: excellent journalism, Jewish focus and diverse viewpoints. In today’s political climate, what I most appreciate is the Forward’s independence — made possible by the generosity of its membership.
The Forward is committed to bringing you unbiased, nuanced Jewish news. From my position as board chair, I see an exciting future as we expand our position as the definitive independent voice of contemporary American Judaism.
— Joel Brown, Forward board chair
