Eva Braun Blackface Photo Reveals Her Love of Jewish Film

Graphic by Angelie Zaslavsky
Hitler’s girlfriend apparently loved a film focused on the struggle to maintain Jewish tradition.
A recently released photo now making the rounds online shows Eva Braun in 1937, in an image the dictator’s mistress titled “Al Jolson and Me.” Internet chatter about the picture has focused on Braun’s use of blackface, citing it as further evidence of the Nazi leadership’s racism.
But what online commenters have largely neglected is that the image is a tribute to “The Jazz Singer,” the 1927 Hollywood classic about Jakie Rabinowitz (Al Jolson), a Jewish man disowned by his family after he pursues a career in jazz rather than follow in the professional footsteps of his father, a cantor. The first feature-length “talkie,” the movie depicts Jewish life on Manhattan’s Lower East Side, including a Yom Kippur service and songs titled “Kol Nidre” and “Kaddish.”
Ten years after its release, as Germany geared up for war, Braun decided to pay tribute to the film, evidently one of her favorites from Hollywood. (Life.com reports that “Gone With the Wind” was another.)
Braun is hardly the only person to have been inspired by “The Jazz Singer.” Though its enthusiastic use of blackface — worn by Jakie during performances — has appalled later generations of filmgoers, the film has also inspired a number of tributes and parodies, including a 1980 remake with Neil Diamond and even an episode of “The Simpsons.”
Still, the revelation that Braun was among the film’s fans is bizarre and unsettling, even if just a tiny footnote in the perversities of that time.
This is a moment of great uncertainty. Here’s what you can do about it.
We hope you appreciated this article. Before you go, we’d like to ask you to please support the Forward’s independent Jewish news this Passover. All donations are being matched by the Forward Board - up to $100,000.
This is a moment of great uncertainty for the news media, for the Jewish people, and for our sacred democracy. It is a time of confusion and declining trust in public institutions. An era in which we need humans to report facts, conduct investigations that hold power to account, tell stories that matter and share honest discourse on all that divides us.
With no paywall or subscriptions, the Forward is entirely supported by readers like you. Every dollar you give this Passover is invested in the future of the Forward — and telling the American Jewish story fully and fairly.
The Forward doesn’t rely on funding from institutions like governments or your local Jewish federation. There are thousands of readers like you who give us $18 or $36 or $100 each month or year.
