Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Baz Luhrmann Talks Jay-Z and ‘Gatsby’

Australian filmmaker Baz Luhrmann brings to life F. Scott Fitzgerald’s classic American novel, “The Great Gatsby,” which opens in U.S. theaters Friday before unspooling at the Cannes Film Festival on May 15.

Baz Luhrmann Image by Getty Images

The film reunites Luhrmann with actor Leonardo DiCaprio, with whom he last worked on the big screen adaptation of William Shakespeare’s “Romeo + Juliet” in 1996.

DiCaprio stars as Jay Gatsby, a millionaire pining for a lost love, played by Carey Mulligan, during the height of the hedonistic 1920’s. Tobey Maguire and Joel Edgerton also star.

Luhrmann, 50, spoke to Zorianna Kit about working with DiCaprio and his collaboration with rapper Jay-Z on the film’s soundtrack.

Zorianna Kit: What was the difference between working with DiCaprio on “Romeo + Juliet” some 15 years ago and “The Great Gatsby” now?

Baz Luhrmann: Back then, he was very gifted, but he was a boy. Now he is a man and true partner in creativity. He’s been on film sets since he was a child and so he’s only ever known film culture. He knows what is a waste of time and he knows where to put the energy. He’s extremely exigent.

How so?

He’s was as much a producer of this movie, as much a co-writer — he and Tobey Maguire had me in our writing tent until 3 in the morning when we had to be shooting at 7 am — going round and round on materials. I loved it and it’s some of my greatest memories (from the shoot) but it also nearly killed me. I’m an older man. I was like, ‘Kids, give pops a break!’

How did you like working with Jay-Z on the soundtrack?

This is a man who is serially on time. If he says he’s going to be somewhere at 9 pm, he doesn’t arrive at five to nine, or five past nine. He arrives at nine. We worked closely on the music, literally together. He’s really funny, which was a surprise to me — kind of witty and dry. That was an enjoyable part of him.

How did you hook up with him?

Leonardo said, “Come up to the Mercer (Hotel in Manhattan) and meet Jay.” He was recording “No Church In the Wild” and I talked to him about the film. He was one of the first people to see a rough cut of the movie. He said, “Look, it’s inspirational. It’s about is Jay Gatsby a good man or not? Does he have a moral compass? Does he have a cause?

Do those born into money know a world that has moral elasticity? Do they have a purpose?” Fantastic debate, fantastic engagement. It’s what makes it a fantastic novel.

It’s hard to picture someone like Jay-Z sitting around reading “The Great Gatsby” since he’s always on the go.

I’ll tell you something fantastic. You want to see something amazing? Google “Gatsby” on YouTube and see how many African American kids are rapping about being Jay Gatsby. There must be 1,000 videos. It blew my mind. It’s amazing to see these kids really get that character. Some of the raps are awesome. Their storytelling is fantastic.

Will viewers relate to this film?

I think they’ll talk about it. Whether they like my choices or not, whether they think I desecrated the great holy grail of American literature or not, I think they will have to be part of the conversation. Somehow, it is a great reflector for everyone.

Once this film comes out, what’s next for you?

As it turns out, I’m in the middle of writing the live stage version of (his 1992 film) “Strictly Ballroom.” What an idiot I am! Could I possibly overbook myself more? But it has to open in March next year, so right now, I’m off to the writing room!

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse..

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.