Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Make a Passover gift and support Jewish journalism. DONATE NOW
The Schmooze

Berlin’s Svetlana Kundish Wows at Yiddish Songfest

Vocal pyrotechnics by Berlin-based sexy vocalist Sveta Kundish thrilled the audience at the September 9 launch of the “Festival for Yiddish Song” at the Center for Jewish History.

One can compare the evening to a musical response to the query posed by Samuel Kassow in his 2007 award-winning tome “Who Will Write Our History?’ New Yiddish music and song illuminated an evening that showcased performances by composer, bassists, singer Benjy Fox-Rosen, accordionist, composer, Klezmer performer Patrick Farrell, Yiddish song composer Josh Waletzky, Klezmer clarinetist extraordinaire Michael Winograd, and sizzling Klezmer violinist Deborah Strauss.

Sveta Kundish —in this, her first North American debut who — according to a press release —“has been taking the European Yiddish world by storm”— invested each of her exquisitely articulated Yiddish songs with slivers of palpable angst, which at times resonated with a Marlene Dietrich-ish “Lili Marlene” despair. Born in the Ukraine, then settling in Israel, she is now based in Berlin where in 2008 she won 1st prize in the International vocal competition, “The Golden Hanukkia.” Currently the soloist of a number of European-based ensembles and projects, she serves as artist-in-residence and teacher at the Yiddish Weimar Festival.

The evening’s lyrics’ arc ranged from works by Yiddish literary giants — poets Mordechai Gebirtig and Abraham Sutzkever —to works by Josh Waletzky, a leading contemporary composer of Yiddish song, founder of the Klezmer band Kapelye and editor of documentaries “Image Before My Eyes” (1981) and “Partisans of Vilna” (1986). Song themes ranged from the angst of revenge, the pain of breaking up, of nature’s bounty to hope for a world of peace.

This concert marked the first collaboration of the Center for Traditional Music and Dance, The Center for Jewish History, The Sholem Aleichem Cultural Center and the YIVO Institute for Jewish Research and was a presentation of The An-sky Institute for Jewish Culture Series. With a respectful nod to the past, the evening heralded a vibrant future for Yiddish-Jewish music worldwide.

This is a moment of great uncertainty. Here’s what you can do about it.

We hope you appreciated this article. Before you go, we’d like to ask you to please support the Forward’s independent Jewish news this Passover. All donations are being matched by the Forward Board - up to $100,000.

This is a moment of great uncertainty for the news media, for the Jewish people, and for our sacred democracy. It is a time of confusion and declining trust in public institutions. An era in which we need humans to report facts, conduct investigations that hold power to account, tell stories that matter and share honest discourse on all that divides us.

With no paywall or subscriptions, the Forward is entirely supported by readers like you. Every dollar you give this Passover is invested in the future of the Forward — and telling the American Jewish story fully and fairly.

The Forward doesn’t rely on funding from institutions like governments or your local Jewish federation. There are thousands of readers like you who give us $18 or $36 or $100 each month or year.

Support our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:

  • Credit the Forward
  • Retain our pixel
  • Preserve our canonical link in Google search
  • Add a noindex tag in Google search

See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.