Jerry Schatzberg — From Furs to Filmmaker to FIAF
Image by Karen Leon
Among the goodies at the French Institute Alliance Francaise (FIAF) and Kering March 14-15 premiere of Diane Pernets” “A Shaded View on Fashion Film Festival (ASVOFF) was a tribute to filmmaker Jerry Schatzberg.
It featured a screening of his 1971 Golden Globe-nominated film “Puzzle of a Downfall Child” starring Faye Dunaway as a disturbed fashion model as well as more than a dozen fashion-infused shorts by American and European filmmakers.
These included “She Said-She Said”— a 7 min. 2013 short by Stuart Blumberg starring Marisa Tomei and Elodie Buchez as a lesbian couple on the brink of a divorce dividing possessions through meditation, a 2 min. sexy sassy 2013 U .S. “Sister Act” by Ellen Von Unweth and the 7 min. 2013 “The Four Dreams of Miss X-Shadows” by Mike Figgis, U.K. which — according to the blurb —“is an astounding collaboration between designer lingerie house Agent Provocateur and Kate Moss— a beautiful woman’s private dream experiences.”
Jerry Schatzberg // Photo by Karen Leon.
The cosmopolitan audience — which was as interesting to watch as were the screen personalities — applauded with gusto.
During a post screening Q&A Schatzberg — whom FIAF press material describes as “one of the leaders of the earlier Hollywood Renaissance movement that touched critics and movie-goers alike”— informed that “the common theme of all my films are marginal people on edge, misfits, outsiders…. films that make me cry….I don’t think there are any rules involved in writing. Sometimes the script finds me.”
Recalling the making of “Panic in Needle Park” starring Al Pacino, who also starred in his 1973 film “Scarecrow” which won Schatzberg the Golden Palm at the Cannes Film Festival, he said, “We went to hospitals, seminars, learned about addicts…”
This being a fashion-fueled event, Schatzberg mused, “Films of the 1930s, 1940s, 1950s had more fashion than today —more dreamland, not realistic. The Beat Generation began to dress differently….I was lucky with costumes.” He recalled a young fashion designer on a film who had no union card. Edith Head — [eight Academy Awards costume design winner] who never saw the costumes — got the credit!”
“I am most pleased with my work of fifty years,” Bronx-born Schatzberg told me during our chat a few days after his FIAF appearance. “My father came here from Austria when he was three. My mother was born here. English was their home language — unless they didn’t want me to understand, so they spoke in Yiddish. I worked in my family ‘s fur business and didn’t start photography until I was seventeen. I have thousands of wonderful photographs which I call my friends…and I did not do my first film until forty.”
His favorite director? “I copy from them all…and they are reflective of the many great directors that made films before me…. I don’t think anybody has it easy. People who make little films want to make blockbusters. Those making blockbusters want to make little films.”
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.
Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.
At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.
Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.
