As summertime slowly approaches, concerts of music both minimal and maximal will enchant Manhattanites in search of aural Yiddishkeit. On April 29 at the Walter Reade Theater, flutist Claire Chase will perform Steve Reich’s “Vermont Counterpoint” in its version for flute and tape; the alternate version, for eleven flutes, would doubtless exceed even the gifted Chase’s capacities. She will be joined for other, less minimalist, works on the program by the pianist Jacob Greenberg. On May 1 at Carnegie Hall, Reich’s mini-fluting is exchanged for emotional maxing-out in the form of Gustav Mahler’s songs interpreted by baritone Matthias Goerne with the superstar pianist Leif Ove Andsnes.
A notoriously anti-Semitic poet claimed that April is the cruelest month; all the more reason for Manhattanites to sweeten it with delightful classical concerts redolent with Yiddishkeit. On March 29, the Israeli-American violinist Yuval Waldman will perform “Music Forgotten and Remembered” at Merkin Concert Hall, including such rarities as Mieczyslaw Weinberg’s 1952 “Rhapsody on Moldavian Themes,” and works by two Czech Jewish composers: Gideon Klein, who was murdered at Auschwitz, and “Colloque Sentimentale” (A Chat about Feelings) by Jaromir Weinberger.
While Hanukkah preparations and aftermath can overshadow every other human activity in December, ‘tis also the season for classical concerts, especially although by no means exclusively, in the New York area. These can include much Yiddishkayt, despite the seeming omnipresence of Handel’s “Messiah.”