Crossposted from Haaretz Whether it’s Malevich’s black or white square, the figure of the collector, the cardinal or the church that appears in Norbert Schwontkowski’s paintings, central to the work will be an existential question about life and death. It reflects the basic lack of trust and faith that he experienced as a boy growing…
A decade ago, American journalist and photographer Edward Serotta decided to collect the life stories and family photographs of every elderly Jew living in Central Europe that he could find. “I wanted to document a whole world,” he said. It was a world that few Jews or Europeans knew about. Jews were unaware that a…
Of all the stories of Righteous Gentiles who saved Jews during the Shoah, there’s one story that rarely gets told: the Muslims who risked their lives to save Jews. Norman H. Gershman’s photographic exhibition “Besa,” currently showing at the Soho Photo Gallery, redresses this imbalance, focusing exclusively on the unsung Albanian Muslim heroes who hid…
Daniel Libeskind’s ‘Wheel of Conscience’ in Halifax, Nova Scotia. Courtesy Canadian Jewish Congress. The ill-fated voyage of the MS St. Louis, the Hamburg-based ocean liner intended to transport 907 mostly German Jewish refugees to Cuba in May 1939, has always played a central role in early Holocaust history, and not only because it unraveled, tragically,…
King David is a smiling child in a red T-shirt and corduroys. Mahmoud Ahmadinejad fills in for Haman. David Ben-Gurion is leading Holocaust survivors across the Red Sea. That’s the aim of the Dura Europos Project, on view at the Philadelphia Museum of Jewish Art until March 27 — to present a decidedly modern take…
Crossposted from Haaretz One of the first stops made by visitors to the new Warsaw Ghetto Uprising exhibit in the Yad Mordechai Museum, in Kibbutz Yad Mordechai, is the projection of a yellow star on their clothing. By moving your body, you put the virtual patch in the place where it belongs. It’s part of…
As you stand in the Dolby Chadwick Gallery in San Francisco, you can’t be sure if the figures in Joshua Meyer’s multi-layered oil paintings are emerging toward you or receding away into a complex sea of colors. That lack of certainty suits the artist just fine, as he considers his paintings to reside in “a…
Crossposted from Haaretz It’s not quite clear whether Yanai Toister’s new show is a photography exhibition without any photos or a photo exhibition without any photography. Now on display at Dvir Gallery in Tel Aviv, Toister’s latest effort is the result of thoughts that have occupied him for several years now, about the way architecture…
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