This year, we ventured to create a set of five memorable 2013 releases that are not easily defined either as “Jewish music,” jazz, or klezmer, but represent alternative, thought-provoking musical experiments, rooted in yet transgressing Jewish musical traditions. Please note that the works below are listed in alphabetical order — there’s no ranking here. “Pillar…
A proud bastion of anti-apartheid, the University of the Witwatersrand, found itself the target last week after the Johannesburg school hosted an Israeli jazz quartet – triggering a round of protests by anti-Israel activists. During the era of apartheid, the 1960s to the 1980s, Wits University in Johannesburg seethed with protest. The school offered academic…
The name “Rothschild” means different things to different people. In 1902, Sholem Aleichem wrote the monologue “Ven ikh bin Rothschild” (“If I Were a Rothschild”), which would be famously turned into the song “If I Were a Rich Man” by Sheldon Harnick and Jerry Bock for “Fiddler on the Roof.” To Sholem Aleichem and generations…
Despite his easygoing presence, guitarist Saul Rubin reveals a contrarian side when contemplating the commercial zeitgeist. Having gone largely unrecognized for much of his performing life, this master of the musical conversation has, at 54, little time for interplay, musical or otherwise, with the single-minded strivers who populate today’s fragmenting marketplace. It’s no small quirk…
Lee Konitz, David Liebman and George Wein — all Jazz Masters of the National Endowment for the Arts — are among a select group of Jewish American cultural figures who, by dint of talent and good fortune, are known to the jazz public and beyond. But others are making substantial contributions to the music, or…
Earlier this year, the Library of Congress website analyzed an unpublished 1946 jazz recording which the Library acquired last year of a jam session in Oklahoma City featuring trumpeter Sonny Berman, a talent well worth remembering. Born Saul Berman in New Haven in 1925, Sonny was sassy, no-holds-barred, and witty, blithely adept at be-bop as…
Inside the Village Vanguard in Manhattan’s West Village, photographs of legendary jazz musicians line the dark-green walls. Stage left, above a portrait of a stolid John Coltrane, hangs a shot of the pianist Fred Hersch playing a song, his eyes closed, an intense yet peaceful aura about him. Hersch, 56, is relatively young to have…
Big bands have been making some of the most interesting and pleasurable music in jazz today. If you haven’t heard of them already, these groups are worth your attention: John Hollenbeck’s Large Ensemble, Darcy James Argue’s Secret Society, Orrin Evans’s Captain Black Big Band and Maria Schneider’s Jazz Orchestra. There is also a new big…
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