His Cross To Bear
It’s tempting to read literal crucifixion imagery into Barnett Newman’s 14-canvas series, “The Stations of the Cross: Lema Sabachthani.” The portrait-oriented, black-and-white paintings and their bold stripes initially appear to be fully vertical in their thrusts, like crosses without horizontal shafts. But upon closer inspection, the vertical stripes, or “zips,” as Newman called them, which…