This is the Forward’s coverage of Jewish music, including klezmer and other traditions.
Music
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The Schmooze Matisyahu’s Show at Tel Aviv’s Zappa Club Was Nothing to Write Your Rabbi About
Crossposted from Haaretz Matisyahu’s Tuesday night show should have been a great joy, first of all because of the location. Ordinarily, the conditions at Zappa are nothing to get excited about, but just one day after Bob Dylan’s performance in the cursed expanses of the Ramat Gan Stadium, a show in a small, crowded club…
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The Schmooze Bob Dylan Proves He’s Still Got It in Tel Aviv
Crossposted from Haaretz Those who cast doubt on Bob Dylan’s ability to perform were forced to eat their words after his excellent performance Monday night. What hasn’t been said about the old-timer’s performance skills? They said that he was tired, they warned that his voice has gone, they predicted a catastrophe similar to his 1987…
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The Schmooze Monday Music: Sephardic Rock for the Hour and the Age
Over the past decade world music has made a veritable comeback, trickling into the mainstream and infusing the indie and alternative rock scene with eclectic and unexpected rhythms. From the emergence of bands like Golgol Bordello and Balkan Beat Box to the return of Brazilian psychedelic rockers Os Mutantes, world music has become more popular,…
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The Schmooze A Less-Than-Perfect Marriage at Givatayim’s FestiJazz Festival
Crossposted from Haaretz Toward the end of their performance, the quartet of Anat Fort and Abate Barihun played an arrangement of a popular Ethiopian passage called “Gadaye.” “What’s ‘Gadaye?’” Fort asked Barihun on stage, and the saxophonist became a little confused and in the end said “It’s a wedding song.” The encounter between Barihun and…
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The Schmooze Traveling the Length and Breadth of ‘Yiddishland’
Photo by Spencer Ritenour In his 2006 study “Adventures in Yiddishland: Postvernacular Language and Culture,” Rutgers University professor Jeffrey Shandler noted the strange phenomenon in which musicians have become some of the most well-known authorities on Yiddish culture. “Marginal figures in East European Jewish society before World War II, klezmorim are now prominent cultural spokespeople,…
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The Schmooze Q&A: Joey Weisenberg and the Hazan of the Future
Joey Weisenberg, 29, is the musical director at the Kane Street Synagogue in Brooklyn and is in charge of musical education at Yeshivat Hadar in Manhattan. He plays guitar, mandolin and percussion and sings in 10 different bands, is an artist-fellow at the 14th Street Y’s LABA program and a faculty member at KlezKanada. He…
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The Schmooze Broadcasts From Another World
Crossposted from Haaretz Sounds from another world, at a very low volume and of terrible audio quality, welcome the visitor to Nino Bitton’s small apartment. They sound like broadcasts from an ancient Arab world, which has long since ceased to exist outside isolated enclaves like this Jerusalem living room. What are we listening to? “Algerian…
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The Schmooze Monday Music: Furious Hip-Hop for Comp. Lit. Majors
Courtesy of Yitz Jordan/Shemspeed Records. Photo by Jonathan Hunter. Y-Love, also known as Yitz Jordan, is a black Jewish convert from Baltimore who feels just as comfortable at underground freestyles as he does at the Sabbath table. The son of a Puerto Rican mother and an Ethiopian-American father, Y-Love converted in 2000 at Brooklyn’s Conversion…
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