Though he was the grandson of German-Jewish immigrants. Roy Lichtenstein played down his roots. But as a new exhibition at the Skirball Cultural Center in Los Angeles suggests, Lichtenstein’s Jewishness shaped the pop art pioneer’s career from his first experiments until the end of his life in 1997. “Lichtenstein’s story, in many ways, is an…
He gave chic new definition, boosted the New York art scene, and went to such brazen lengths as to deliver artwork unrequested to the Museum of Modern Art and simply send a bill. He was known to have commandeered a gondola with his pals to transport art in time to compete in the Venice Biennale….
King David is a smiling child in a red T-shirt and corduroys. Mahmoud Ahmadinejad fills in for Haman. David Ben-Gurion is leading Holocaust survivors across the Red Sea. That’s the aim of the Dura Europos Project, on view at the Philadelphia Museum of Jewish Art until March 27 — to present a decidedly modern take…
Earlier this month, the Rose Art Museum at Brandeis University formally opened its 2010-2011 season with two new exhibits: “Regarding Painting” and “WaterWays.” The museum has been the subject of much negative media controversy over the past few years. Between rumors of its closing and lawsuits over artwork being sold, one of the university’s gems…
“Roy Lichtenstein: The Black-and-White Drawings, 1961-1968” opens and closes, quite fittingly, with doors. “Knock Knock,” a 1961 drawing, greets visitors entering the single-room exhibition. The title words splay from an all-white door, its shape defined by heavy, even black lines. Short marks indicate the thwap of invisible knuckles. Later, after circling the perimeter, you step…
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