JEWISH. INDEPENDENT. NONPROFIT.
The 20th-century Soviet composer Dmitri Shostakovich might be best known for his conflicted but patriotic symphonies, his daring operas, including two takes on Nikolai Leskov’s novella “Lady Macbeth of the Mtsensk District,” or the extent to which, decades after his death on this day in 1975, no one can say authoritatively whether his music was…
James Levine is not the only major return at the Metropolitan Opera this week. Coming back for just seven performances between September 28 and October 26 is one of the Met’s most artistically acclaimed productions in recent years, Shostakovich early, wildly inventive, over-the-top adaptation of Gogol’s classic story, “The Nose.” Picked by every critic as…
A wall comes to life. Arms appear in what had seemed like empty black suits hanging on them. The seven actors in the company, in evening dress, whom we’ve seen singing, playing with pieces of paper, join hands with the arms. Together the actors and the limbs on the wall do a kind of Hora….
On October 12, Paris’s Cité de la Musique opened a new exhibit, “Lenin, Stalin, and Music” which includes much fascinating material about the fate, and often the plight, of Russian Jewish musicians. With the benefit of hindsight it’s difficult to see why any Jews stayed in Soviet Russia. However, a brilliantly concise and well-illustrated exhibition…
