Friday Film: Alan Zweig and the Cinema of Emotional Crudity
In 2000, filmmaker Alan Zweig gained modest success on the festival circuit with “Vinyl,” a documentary probing the quirks and eccentricities of compulsive record collectors. (“Compulsive” referring not to some guy with a few hundred LPs, but to some guy who rents a U-Haul locker on the edge of town to serve as a supplementary…